You’re inevitably going to see a mega-fuckton of bad reviews when it comes to In Flames’ 11th studio LP. That’s because Siren Charms is unequivocally piss-dripping clown dick. But this bad review in particular comes from a different perspective than most others you’ll read. Most of these people gave up on In Flames a long time ago, at whatever stage one became “considered cool” to start disliking them. Frankly, I forget exactly when that was. Hard to pinpoint in a career littered with transitions. Hell, even I attempted to write off the band at 2000’s Clayman, but 14 straight years of those songs stuck in my head convinced me otherwise. Truth is, up until this point, I’ve enjoyed every step of this band’s career to some degree. In fact, what the majority considers to be their lowest lows just happen to be some of my favorites. Reroute, Soundtrack, their Ferret album… love ‘em all. I’ll even throw a little extra gas on the fire and admit that Lunar Strain and the Subterranean EP are probably my least listened-to of the bunch. It’s just impossible for me to care what anyone thinks. Music isn’t about people for me anymore —the people making it, the people selling it, the people going to shows… I don’t even know what a hipster is— and what genre something is or isn’t matters even less. Look, those even remotely familiar with popular work of fiction The Bible recognize that all music is a gift from Lucifer. All that matters to me is whether it’s good or bad… Holy motherfucking monkey balls is this bad. The fact that this is the band’s major label debut may very well be a coincidence, but what I’m hearing is a radically neutered In Flames. Hate their more recent works or not, one couldn’t deny they at least had energy. Siren Charms is a restrained and timid affair, aimed at a yet-to-be-identified target market. The melodies are lifeless, the songs are dull and vapid, and the only one not holding back probably should have. Clearly Anders Friden has been nursing the idea that he’s a really good clean singer in the back of his mind for quite some time now, and to his credit, he’s pulled it off a time or two in moderation. He completely lets his inner Michael Bolton go here, and it sounds really really fucking terrible. His tone-deafness ruins practically every song, soiling what little musical decency there is. The only true highlight found is the chorus to “Rusted Nail.” (“Just this once…” indeed.) I won’t say the band is done yet, but until a return to some form is acknowledged, I am.
Note: Not that anything could save this piece of garbage, but it didn’t help that the Deluxe Version I bought from the local Best Buy was completely mastered wrong. Every song was abnormally quiet except for the title track. I know nobody buys physical media these days, but did anyone else happen to experience this?
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