Hour of Penance - Regicide

Posted on Thursday, September 11, 2014

It pains me to bestow any negative criticism upon my dago Death Metal brethren, but this just isn’t my Hour of Penance anymore. I mean that both figuratively and literally, as the only remaining member from the era when I worshipped at this band’s altar —2003’s Disturbance and 2005’s Pageantry for Martyrs— is lead guitarist Giulio Moschini (who joined in 2004). While The Vile Conception (‘08) and Paradogma (‘10) were both solid efforts, capable of being appreciated for their malevolent sonic ferocity and sheer technical prowess alone, the former marked the decline of each successive release becoming far less memorable and increasingly more boring than its predecessor. 2012’s Sedition proved to be ultimately forgettable, and the process of reviewing Regicide has been like trying to write about sand. It takes about 99 seconds for any one of these tracks to become a complete blur of wall-of-noise sound that’s just about impossible to stay focused on. 36 grams of coke, 6 Red Bulls, 18 Adderall pills, and the occasional shot of Primitine Mist wouldn’t be enough to prevent me from tuning this record out, but at least I’d be dead. Maybe if I were ten years younger and had only been into Death Metal for a couple months, this might be some mind-blowing shit. But I’m not ten years younger, have been into this Death Metal band alone longer than a decade, and this album honestly put me to sleep on more than one occasion. The million-mile-per-hour drumming never stops, the million-note solos on top of million-note riffs never stop, and the million ways of barking “I hate Jesus” aren’t enough to save this record from the fact that it has no actual songs. It’s all well-played and brutal as fuck, and might possibly fare better as indistinct background noise for life’s meaningless activities, but that’s nowhere near good enough for me. I need the music that can turn life’s meaningless activities into the indistinct background noise. Lately, what Hour of Penance is putting out sounds less like music and more like a subway train racing through its underground tunnel. Regicide is where I get off.

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