Frozen Ocean is kind of an oddball, existing somewhere in the gray area between Atmospheric Black Metal and Dark Ambient. I’m not familiar with the band’s back catalog, but from the sound of things, sole member Vaarwel started out playing Black Metal but gradually began incorporating more and more Dark Ambient/Deep Space Ambient stuff into his compositions. That being said, the majority of The Dyson Swarm has more in common with Neptune Towers, Arecibo (aka Lustmord) and the original Cosmos soundtrack composed by Vangelis than anything that could be classified as Metal. The overwhelming bulk of the songs on this album are instrumental, with only two having vocals (“CE-4” and “The Dyson Swarm”). Even then, the vocals play only a small part. The music itself is very atmospheric, having a mellow, trance-inducing effect that is best listened to in the dark or under candlelight. It’s also very repetitive, something that is noticed almost immediately. Having listened to a lot of repetitive Black Metal (usually in the Burzum vein) over the years, I didn’t have a problem with this. The minimalistic song structures do start to wear on you on the longer tracks, particularly on the two that exceed nine minutes. This LP has taken more than a few tries to grow on me, mostly because I have to be in the right mood to listen to it. Fans of atmospheric music or those “Sounds of Space” Ambient releases that you occasionally find in the New Age section of the record store will probably enjoy this the most. If you’re like me and you’re a Metalhead who crosses over into the Dark Ambient scene, The Dyson Swarm is an interesting listen, but it isn’t for everyone.
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